Bill Nash 

Bill Nash has been a musician all his life. He was a 5-year-old boy soprano, a 4th grade french hornist (played french horn all through college), a 15-year-old beginning guitarist and then an 18-year-old guitar teacher, and a graduate of Bradley University's school of music, majoring in composition. Bill began writing music and lyrics in his early teens and his roots are firmly embedded in what is now known as the singer/songwriter acoustic music genre. He has performed styles as diverse as rock 'n roll, fusion, country, polka, folk, and even old-time western music, ala the Sons of the Pioneers.

Bill has 2 albums currently available, Mostly True Stories (1996) and Runs With Scissors (1998), containing mostly original songs and a few cover tunes from some of his favorite songwriters. His songs range from love songs to heartbreak songs, from true stories to completely imaginative fabrications, from protest songs to environmental songs, and he even wrote a tribute song for Uncle Calvin's Coffeehouse in Dallas ("... the best coffee and hugs in town!"), where he has been a volunteer almost every Friday night since 1993. By the way, don't forget to listen to both CDs all the way to the end, there is a message from Putsie on each!

On "Runs With Scissors", Bill was delighted to be joined by the likes of Dana Cooper (harmonica), Chris Gage (honky tonk piano), Marsha Webb (classical piano), Denny Allen (bass guitar and recording engineer), and Don Conoscenti (practically everything, from wailing guitars to drum set to flute to dumbeck to metal chair!), and a very special group of 6 lady singers he affectionately calls "The RollAides" (referenced from his song, "She Rolls", for which they sang beautiful backup harmonies).

Bill has been invited to sing background harmony on mainstage at the Kerrville Folk Festival many times, with fine musicians from Anne Hills to Michael McNevin to Tom Prasada-Rao to Jana Stanfield, and was 1 of 4 invited singer/songwriters at the Dallas Campfire show hosted by Emilie Aronson on the Threadgill Theater stage at Kerrville in 1996.

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